All you have to do is remember the golden input/output rule: Follow the signal path. Hi - were building a studio and we will be looking for 24-32 channels. Got it? Or still a bit confused? Don’t be. Is it worth considering a console simply for the collection of preamps into two UAD x16s, or should we go with 3 or 4 x8ps and use Unison preamp models I know theres a major cost di. The effects return jack is a power amp input that receives the signal from your effects coming back into the amp. If your amp has an effects loop, the effects send jack is a preamp output that routes the signal to your effects. The speaker jacks on the back of the cabinet are inputs, as they receive the signal coming from the amp head. The signal is traveling out of your amp to some other destination, such as a PA system or recording gear.įor those of you who have a head/cab rig, the speaker jacks on the back of the head are outputs they send the amplified signal out to the cabinet. Similarly, the “line out” jack on the back of your amp is just that-an output. The signal from your mp3 player, CD player or other outboard devices is traveling into the amp. The “aux in” jack on your amp, however, is just that-an input. A signal is traveling out of the amp and into the headphones. If you can connect headphones to your amp, then your amp has a headphone output. It’s where the signal comes in from the instrument.ĭoes your amp have a headphone input? No, it doesn’t. So, the jack on your amp where you plug in the other end of that cable? That is an input. Where is the signal going? Follow the signal path-the signal is traveling out of your guitar or bass to the amp. The key to knowing the difference is understanding the signal path, or the direction in which the signal is traveling. The jack on your guitar or bass where you plug the cable in-the one you’ve been calling an input jack all this time-is actually an output jack. For example, the jack on your guitar or bass is where you plug in the cable, so it’s common to refer to it as the input jack. Plugging things in is where the terminology can get confusing. Now, the classic ISA preamp, which placed Focusrite on the audio map in the 1980s, can be the front-end to any Dante audio system.Curious about the ins and outs of inputs and outputs? If that sounds like nothing but a tongue-twister to you-consider that the two terms are often interchanged mistakenly in reference to both instruments and amps. Bringing the heritage sound into the future, the ADN Dante-enabled option cards for the ISA range enables the ISA One, ISA 428 MkII and ISA 828 MkII to operate on Dante networks. As an early champion of Audinate's Dante platform, Focusrite were among the first studio audio companies who paved the way for professional audio equipment in the Audio-Over-IP space. IT FEATURES THE SAME LUNDAHL TRANSFORMERS, IS EASY TO USE, SOUNDS GREAT, AND DELIVERS THE GOODS AS ADVERTISED"įocusrite's commitment to designing great-sounding equipment for audio professionals continues with the RedNet range of Audio-Over-IP devices and the Red range of audio interfaces. "JUST AS I LIKED THE ORIGINAL, I LIKE THE FOCUSRITE 428 MKII A LOT. These designs, virtually unchanged today, lie at the heart of the ISA Range, and preserve the Focusrite Heritage Sound.Ĭentral to the ISA preamp design is the Lundahl LL1538 transformer - the same component that has been used in all Focusrite ISA preamps for decades - which gets the best out of any microphone, and provides a clean and open sound favoured by producers and engineers looking for unrivalled sound quality. The Focusrite Blue Range also borrowed ISA circuit topology, and commands attention on second-hand markets nearly 30 years later. Units from the distinctive Red Range, launched in 1993 to worldwide acclaim, were in demand because of their unique warmth and character, and found themselves in studios of all sizes around the world. While the Forte and Studio consoles remained rarities, the mic pres, EQ and dynamics modules that made them so desirable became very common. Rafa Sardina - Producer, Mixer, Engineer - Lady Gaga, Beyoncé, Celine Dion, Stevie Wonder, Michael Jackson, Elvis Costello and the Roots With digital, there can be no variation in signal power, this is either ‘on’ or ‘off’ as in the image below. This can be at any volume level and include the distortion and ‘hum’ previously mentioned. An analogue source is gradual, as with a sound wave. "THE ISA PREAMP SOUNDS GREAT ON ANYTHING THAT HAS HIGH TRANSIENTS AND I LOVE THE FOCUSRITE EQ IT IS SO EFFICIENT" A digital source does not produce a signal in the same way as an analogue source. In 2014, we made a film about the Studio Console, which you can watch below. While they were highly sought after by producers and engineers, only ten were made most are still in use today. After Phil Dudderidge became the owner of Focusrite in 1989, he went about taking the phenomenal Forte console and re-designing it with a more studio-friendly topology and layout.
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